I’ve worked with print and publications of every kind and size, from offset to digital. I create in resolution independent vector formats as well as high-resolution raster graphics to ensure crisp, legible, readable pieces that require no technical adjustments from the print shops I work with. From designs the size of a small coin for promotional materials, full bleed magazines and brochures, to conference displays and billboards, I sincerely enjoy seeing my work go from my monitor to tangible hard copies.
Inspire Health Magazine, high-resolution cover photo edit (subject removal), layout co-editor
The flipbook of this issue can be found here.
This is one issue of many that we produced monthly, and is also one of five titles published and printed in house. We also did layouts for independent and corporate publishers across the country.
High-resolution background swap edit, before and after.
LA GEAR UP Post-Katrina Conference Display, one piece polystyrene designed for a four panel trade show presentation board. 300 dpi digital print.


This is the cover of one of the magazine-style newsletters available at the above display. in Washington DC among other states and institutions that were part of the GEAR UP grant.

Conference items including a large glossed foamboard digital print, and a tote bag designed for attendees.
Rewards for Success (RFS) flier process images. The project was delivered last-minute, and the turnaround had to be within a couple of hours. With the assistance of a student worker, I was able to deliver this in just over an hour.

Big Mike Memorial design by Real Skateboards. I was fortunate to work with one of the largest skateboard companies in the United States to design a board that was used to raise money for the family of Mike Jeansonne, a great friend to the Louisiana skate community.
Small Time Skates, half-page magazine ad. Magazine style newsletters for Louisiana GEAR UP.
“Flat Fitty” was a headwear company in the same market as New Era. They sponsored my skateboarding and we collaborated on a signature cap. The cap design is entirely vector, and comprised of multiple encapsulated post script files (.eps). The design includes 2D and 3D stitching, as well as a single color screen print inside.


















